Volume 18 • 2019
Research
Virtual Reality and Choreographic Practice: The Potential for New Creative Methods
Rosemary E. Cisneros, Karen Wood, Sarah Whatley, Michele Buccoli, Massimiliano Zanoni and Augusto Sarti
2019-03-12 Volume 18 • 2019 • 1–32
Forming a Sonic Identity through the Integration of Transculturality and Technology
Nathan Riki Thomson and Otso Lähdeoja
2019-03-12 Volume 18 • 2019 • 33–60
The Theatre of the Selfie: Fictive Practices of the Instagram Artist
Sara Sylvester
2019-03-12 Volume 18 • 2019 • 61–107
Performing the Electrical: Ecologies of the Imaginary and Fem-technologies
Geneva Foster Gluck
2019-03-12 Volume 18 • 2019 • 108–125
Visceral Dramaturgies: Curating Sensation in Immersive Art
Rosemary Klich
2019-03-12 Volume 18 • 2019 • 175–197
Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought
Steve Fossey
2019-03-12 Volume 18 • 2019 • 215–234
Tide Times: Responding to Cramond
Laura Bissell and Timothy Cooper
2019-03-12 Volume 18 • 2019 • 235–266
Soi Moi: The Techno-Soma-Aesthetics of a Dance for the iPhone
Paula Varanda
2019-03-12 Volume 18 • 2019 • 267-296
Papers
Diversity and Inclusivity in the Age of Wearables: A Buzzword, a Myth, an Uncertain Reality
Anastasios Maragiannis and Rain Ashford
2019-03-12 Volume 18 • 2019 • 198–214
Perspectives
Perspectives 2019
Dani Ploeger, Catherine Seago and Lizzie Sykes
2019-03-12 Volume 18 • 2019 • 297-320
Reviews
Issue Archive
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Volume 23 • 2024
Volume 22 • 2023
Volume 21 • 2022
Volume 20 • 2021
Volume 19 • 2020
Volume 18 • 2019
Volume 17 • 2018
Volume 16 • 2017
Volume 15 • 2016
Volume 14 • 2015
Volume 13 • 2014
Volume 12 • 2013
Volume 11 • 2012
Volume 10 • 2011 • 2
Volume 10 • 2011 • 1
Volume 9 • 2010 • 2
Volume 9 • 2010 • 1
Volume 8 • 2009
Volume 7 • 2008 • 2
Volume 7 • 2007 • 1
Volume 6 • 2007 • 2
Volume 6 • 2006 • 1
Volume 5 • 2005
Volume 4 • 2004
Volume 3 • 2003 • 2
Volume 3 • 2002 • 1
Volume 2 • 2002 • 2
Volume 2 • 2001 • 1
Volume 1 • 2001 • 2
Volume 1 • 2000 • 1