Volume 10 • 2011 • 1


Editorial

Editorial
Editorial

Editorial Team

2011-01-01 Volume 10 • 2011 • 1

Papers

Sensing Shared Places: Designing a mobile audio streaming environment
Sensing Shared Places: Designing a mobile audio streaming environment

Rui Chaves and Pedro Rebelo

2011-01-01 Volume 10 • 2011 • 1

Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)
Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)

Eleanor Dare and Lee Weinberg

2011-01-01 Volume 10 • 2011 • 1

Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation
Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation

Andrea Davidson

2011-07-01 Volume 10 • 2011 • 1

Virtual infants in Zoo Indigo’s Under the Covers
Virtual infants in Zoo Indigo’s Under the Covers

Rosie Garton and Ildiko Rippel

2011-01-01 Volume 10 • 2011 • 1

Sensual Technologies: Embodied experience and visualisation of scientific data
Sensual Technologies: Embodied experience and visualisation of scientific data

Michael Hohl

2011-01-01 Volume 10 • 2011 • 1

The Song Remains … The Same? Three Case Studies of Issues of Digital Preservation in Second Life Performance Practices
The Song Remains … The Same? Three Case Studies of Issues of Digital Preservation in Second Life Performance Practices

Dennis Moser

2011-07-01 Volume 10 • 2011 • 1

Performing Sleep/Wake Cycles: An Arts-Science Dialogue through Embodied Technologies
Performing Sleep/Wake Cycles: An Arts-Science Dialogue through Embodied Technologies

Anne Niemetz, Carol Brown and Philippa Gander

2011-01-01 Volume 10 • 2011 • 1

Digital Parts / Modular Doubles: fragmenting the ‘digital double’
Digital Parts / Modular Doubles: fragmenting the ‘digital double’

Daniël Ploeger

2011-01-01 Volume 10 • 2011 • 1

e_motions in process
e_motions in process

Barbara Rauch

2011-01-01 Volume 10 • 2011 • 1

Listening to the Replayed Touch: A Strata-aural Manifesto
Listening to the Replayed Touch: A Strata-aural Manifesto

Taina Riikonen and Antti Sakari Saario

2011-01-01 Volume 10 • 2011 • 1

The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples
The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples

Claudia Robles

2011-01-01 Volume 10 • 2011 • 1

Between Body and Sound: listening to the digitized body
Between Body and Sound: listening to the digitized body

Stacey Sewell

2011-01-01 Volume 10 • 2011 • 1

An Avatar’s Broken Memory
An Avatar’s Broken Memory

Olu Taiwo

2011-01-01 Volume 10 • 2011 • 1

Three Interactive Scenes of The Crystal Cabinet
Three Interactive Scenes of The Crystal Cabinet

Åsa Unander-Scharin

2011-01-01 Volume 10 • 2011 • 1

Illusionistic Environments – Digital Spaces
Illusionistic Environments – Digital Spaces

Emmanouela Vogiatzaki – Krukowski and Manthos Santorineos

2011-01-01 Volume 10 • 2011 • 1

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