Research
INTER/her: An immersive journey inside the female body - Creative Processes, Reflections and Revelations
Camille Carol Baker
2023-02-14 Volume 22 • 2023 • 1–19
Lost Origin and Beyond. Towards a design framework for mixed reality theatrical experiences
Gabriella Giannachi
2023-01-14 Volume 22 • 2023 • 40–64
Dancing through Social Distance: Connectivity and Creativity in the Online Space
Laura Elizabeth Griffiths
2023-02-14 Volume 22 • 2023 • 65–81
A Process and a Frame: Ballet on Instagram and a Sense of the World
Marjana Krajac
2023-02-14 Volume 22 • 2023 • 82–99
Active Spectatorship and Co-creation in the Digital Making of Flanker Origami
Bianca Mastrominico
2023-02-14 Volume 22 • 2023 • 100–127
Rethinking the Rings: topographical spaces and digital bodies in Circus Oz’s inland tours.
Andrew Fuhrmann, Rachel Fensham and Kirsten Stevens
2023-02-14 Volume 22 • 2023 • 146–167
Perspectives
Technoparticipation: Scrapbooks, stories and secrets
Lee Campbell
2023-02-14 Volume 22 • 2023 • 199–219
Iraqi Silent Theatre: The Body and Sound in Anas Abdel-Samad’s A Dream in Baghdad (2006)
Majeed Mohammed Midhin
2023-02-14 Volume 22 • 2023 • 220–227
Performances
Reviews
With the Best of Intentions: Venice Art Biennale 2022
Neil Morris Harvey
2023-02-14 Volume 22 • 2023 • 276–284
Issue Archive
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Volume 23 • 2024
Volume 22 • 2023
Volume 21 • 2022
Volume 20 • 2021
Volume 19 • 2020
Volume 18 • 2019
Volume 17 • 2018
Volume 16 • 2017
Volume 15 • 2016
Volume 14 • 2015
Volume 13 • 2014
Volume 12 • 2013
Volume 11 • 2012
Volume 10 • 2011 • 2
Volume 10 • 2011 • 1
Volume 9 • 2010 • 2
Volume 9 • 2010 • 1
Volume 8 • 2009
Volume 7 • 2008 • 2
Volume 7 • 2007 • 1
Volume 6 • 2007 • 2
Volume 6 • 2006 • 1
Volume 5 • 2005
Volume 4 • 2004
Volume 3 • 2003 • 2
Volume 3 • 2002 • 1
Volume 2 • 2002 • 2
Volume 2 • 2001 • 1
Volume 1 • 2001 • 2
Volume 1 • 2000 • 1