Volume 14 • 2015


Editorial

Editorial
Editorial

Editorial Team

2015-01-01 Volume 14 • 2015

Papers

Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations
Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations

Ken Byers

2015-01-01 Volume 14 • 2015

Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style
Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style

Christophe Collard

2015-01-01 Volume 14 • 2015

Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions
Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions

Matt Delbridge and Lee McGowan

2015-01-01 Volume 14 • 2015

Beyond Narrative: Sound design as dramaturgy in contemporary performance
Beyond Narrative: Sound design as dramaturgy in contemporary performance

Rea Dennis and Magda Miranda

2015-01-01 Volume 14 • 2015

Ominous: Playfulness and emergence in a performance for biophysical music
Ominous: Playfulness and emergence in a performance for biophysical music

Marco Donnarumma

2015-01-01 Volume 14 • 2015

Structuring online learning collectivities
Structuring online learning collectivities

Olga Ioannou

2015-01-01 Volume 14 • 2015

Studio for Electronic Theatre – Jumping into the Abyss of Technology
Studio for Electronic Theatre – Jumping into the Abyss of Technology

Fahrudhin Nuno Salihbegovic

2015-01-01 Volume 14 • 2015

Matter Mattering: ‘Intra-activity’ in live media performance
Matter Mattering: ‘Intra-activity’ in live media performance

Jo Scott

2015-01-01 Volume 14 • 2015

A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies
A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies

Nkululeko Sibanda

2015-01-01 Volume 14 • 2015

Perceiving the Interactive Body in Dance: Enhancing kinesthetic empathy through art objects
Perceiving the Interactive Body in Dance: Enhancing kinesthetic empathy through art objects

Michael Smith and Jenny Roche

2015-01-01 Volume 14 • 2015

‘Bangers to Cancer’: Social media, charity fundraising and objectification
‘Bangers to Cancer’: Social media, charity fundraising and objectification

Emily Underwood-Lee

2015-01-01 Volume 14 • 2015

Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices
Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices

Jillian Wallis

2015-01-01 Volume 14 • 2015

Perspectives

Long Form Improvisation, Feedback Loops and Cybernetics
Long Form Improvisation, Feedback Loops and Cybernetics

Glenn Noble and Daren Pickles

2015-01-01 Volume 14 • 2015

Reviews

Me and My Shadow (2012)
Me and My Shadow (2012)

Kelly Preece

2015-01-01 Volume 14 • 2015

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