Volume 9 • 2010 • 2


Editorial

Editorial
Editorial

Editorial Team

2010-07-01 Volume 9 • 2010 • 2

Papers

Natio et Gens: Venice Biennale 2009
Natio et Gens: Venice Biennale 2009

Sue Broadhurst and Neil Harvey

2010-07-01 Volume 9 • 2010 • 2

The placement of sound in artistic contexts
The placement of sound in artistic contexts

Karen Lauke

2010-07-01 Volume 9 • 2010 • 2

The Mediated Double Body: An Instance of Ab-sence and Alterity in Mixed-media Theatre
The Mediated Double Body: An Instance of Ab-sence and Alterity in Mixed-media Theatre

Eirini Nedelkopoulou

2010-07-01 Volume 9 • 2010 • 2

Heightened Awareness Through Simulated Movement in Multimedia Performance
Heightened Awareness Through Simulated Movement in Multimedia Performance

Daniël Ploeger

2010-07-01 Volume 9 • 2010 • 2

Tradition meets Technohlogy: Integrating Japanese Noh & New Technology in Shakespeare’s Macbeth
Tradition meets Technohlogy: Integrating Japanese Noh & New Technology in Shakespeare’s Macbeth

Jonah Salz, Asako Soga and Masahito Shiba

2010-07-01 Volume 9 • 2010 • 2

The Body of Text: Beverley Farmer’s A Body of Water
The Body of Text: Beverley Farmer’s A Body of Water

Janice Shaw

2010-07-01 Volume 9 • 2010 • 2

Perspectives

Framing the art [A] vs. architecture argument
Framing the art [A] vs. architecture argument

Barie Fez-Barringten

2010-07-01 Volume 9 • 2010 • 2

Fruit Machine
Fruit Machine

Hilary Harp and Suzie Silver

2010-07-01 Volume 9 • 2010 • 2

Reviews

The Free Totalitarian Zone: Marina Abramovic Presents.... Provocations, musings and questions
The Free Totalitarian Zone: Marina Abramovic Presents.... Provocations, musings and questions

Lorena Rivero de Beer and Lena Simic

2010-07-01 Volume 9 • 2010 • 2

Amplified Presence through Corporeality and Technological Prosthetics: A Review of Daniël Ploeger’s Play & Productivity, 2009
Amplified Presence through Corporeality and Technological Prosthetics: A Review of Daniël Ploeger’s Play & Productivity, 2009

Seda Ilter

2010-07-01 Volume 9 • 2010 • 2

(Syn)aesthetics: Redefining Visceral Performance by Josephine Machon
(Syn)aesthetics: Redefining Visceral Performance by Josephine Machon

Paul Woodward

2010-07-01 Volume 9 • 2010 • 2

The 53rd Venice Biennale – sex, death and mirror smashing
The 53rd Venice Biennale – sex, death and mirror smashing

Ken Young

2010-07-01 Volume 9 • 2010 • 2

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