Volume 1 • 2000 • 1
Editorial
Papers
Performance as revolutionary activity: liminality and social change
Dan Friedman
2000-07-01 Volume 1 • 2000 • 1
The Performer and the Machine: Some Aspects of Laurie Anderson's Stage Work
Silvija Jestrovic
2000-07-01 Volume 1 • 2000 • 1
Addenda? Contemporary Cyborgs and the Mediation of Embodiment
Petra Kuppers
2000-07-01 Volume 1 • 2000 • 1
‘Strobe Light Consciousness and Body Technology in the Theatre of Antonin Artaud.’
Milton Loayza
2000-07-01 Volume 1 • 2000 • 1
Ecstasy: a Source of Intimacy or Applications of the Dionysiac Model for Grotowski’s Theatre
Anna Misopolinou
2000-07-01 Volume 1 • 2000 • 1
4D Design: Applied Performance in the Experience Economy?
Alec Robertson and James Woudhuysen
2000-07-01 Volume 1 • 2000 • 1
Into the Blazing Light: Liminality in Joe Orton’s What the Butler Saw
Chun-Yi Shih
2000-07-01 Volume 1 • 2000 • 1
Issue Archive
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Volume 23 • 2024
Volume 22 • 2023
Volume 21 • 2022
Volume 20 • 2021
Volume 19 • 2020
Volume 18 • 2019
Volume 17 • 2018
Volume 16 • 2017
Volume 15 • 2016
Volume 14 • 2015
Volume 13 • 2014
Volume 12 • 2013
Volume 11 • 2012
Volume 10 • 2011 • 2
Volume 10 • 2011 • 1
Volume 9 • 2010 • 2
Volume 9 • 2010 • 1
Volume 8 • 2009
Volume 7 • 2008 • 2
Volume 7 • 2007 • 1
Volume 6 • 2007 • 2
Volume 6 • 2006 • 1
Volume 5 • 2005
Volume 4 • 2004
Volume 3 • 2003 • 2
Volume 3 • 2002 • 1
Volume 2 • 2002 • 2
Volume 2 • 2001 • 1
Volume 1 • 2001 • 2
Volume 1 • 2000 • 1