Articles
391 results
Diffractive Dramaturgies in Our Lady of Shadows
Piotr Woycicki and Lucy Gough
2024-02-14 Volume 23 • 2024
Dissolving the Horizon Line: Navigating Disruption Caused by AI
Julie Watkins
2024-02-14 Volume 23 • 2024
The FIFTH WALL. On DIGITAL PERFORMANCE between USER EXPERIENCE DESIGN and the METAVERSE
Federica Patti
2024-02-14 Volume 23 • 2024
Angeliki Avgitidou, Performance Art: Education and Practice, Routledge, 2023
Alice Charlotte Bell
2024-02-14 Volume 23 • 2024
Anything but the Subject, Venice Architecture Biennale 2023
Neil Morris Harvey
2024-02-14 Volume 23 • 2024
Intermediality, Hybridity, and Disruption, in the Operas of Wagner and Verdi
Sue Broadhurst and Neil Morris Harvey
2024-02-05 Volume 23 • 2024
Dancing through Social Distance: Connectivity and Creativity in the Online Space
Laura Elizabeth Griffiths
2023-02-14 Volume 22 • 2023 • 65–81
A Process and a Frame: Ballet on Instagram and a Sense of the World
Marjana Krajac
2023-02-14 Volume 22 • 2023 • 82–99
INTER/her: An immersive journey inside the female body - Creative Processes, Reflections and Revelations
Camille Carol Baker
2023-02-14 Volume 22 • 2023 • 1–19
Active Spectatorship and Co-creation in the Digital Making of Flanker Origami
Bianca Mastrominico
2023-02-14 Volume 22 • 2023 • 100–127
Rethinking the Rings: topographical spaces and digital bodies in Circus Oz’s inland tours.
Andrew Fuhrmann, Rachel Fensham and Kirsten Stevens
2023-02-14 Volume 22 • 2023 • 146–167
Iraqi Silent Theatre: The Body and Sound in Anas Abdel-Samad’s A Dream in Baghdad (2006)
Majeed Mohammed Midhin
2023-02-14 Volume 22 • 2023 • 220–227
With the Best of Intentions: Venice Art Biennale 2022
Neil Morris Harvey
2023-02-14 Volume 22 • 2023 • 276–284